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Lenka Klicperová
Lenka Klicperová

May 16 : 2024

Lenka Klicperová

In the realm of photojournalism, there is perhaps no greater purpose than highlighting parts of the world too dangerous for the rest of us. Lenka's winning photograph is haunting and intense, and her use of black and white helps elicit emotion from what is already a brave and bold image.

by Lily Fierman

1:15 minutes read

In summary, I was in a journalistic euphoria, and I didn't really perceive the danger. But a car with soldiers driving a short distance in front of us got hit. I was concentrating on work, nothing else.

"Journey to the Frontline"

Q:

Can you please tell us more about making your winning image,  “Journey to the Frontline”?

A:

I had just arrived in the village of Terny, newly conquered by the Ukrainian army. The Russians were only a short distance away, and they were not yet willing to give up this territory. We were still under artillery fire. There were still many dead bodies of Russians lying in the village, the Ukrainian dead bodies had already been removed. It looked like the Second World War.

Q:

This is an incredibly poignant, striking image. Tell us about the emotions around taking a photo like this. What’s going through your mind?

A:

I was working feverishly, unaware of what was happening around me at the time. I was documenting one of Ukraine's last victories so far. I'm a freelance journalist, so I have to offer text, photos, and video. I was switching between taking pictures and filming, and I wasn't really interested in the artillery fire either. There was so much going on everywhere. The Ukrainians didn't care much about us; no one forbade us anything. Whoever was brave enough to be there was there. But I didn't see any other journalists here. Now that the Ukrainian army is not advancing, it is much more difficult. When I think about it, I think I was a fool and risked a lot. 

The rocket in the picture flew in front of us a few minutes before I took the photo. I still told the driver to pull over, that I needed to take a good picture, and I needed to get out of the car. Soldiers drove past us and gesticulated that we were out of our minds, crazy and shouting at us to get out, that the road was being shelled.

In summary, I was in a journalistic euphoria and I didn't really perceive the danger. But a car with soldiers driving a short distance in front of us got hit. I was concentrating on work, nothing else.

Whoever was brave enough to be there was there. But I didn't see any other journalists here... When I think about it, I think I was a fool and risked a lot.

Q:

What else would you want to share with people about being on the frontline?

A:

Being on the front lines in Ukraine is extremely dangerous. I have worked in many conflicts before - from Africa to Afghanistan, Nagorno-Karabakh, Iraq, and Syria, but nowhere was it as dangerous as here. And the risk continues to increase, with thousands and thousands of drones being used on the battlefield. Every photograph taken on the front line is bought at enormous risk to the photographer. That's why I'm so glad that risk has at least been balanced by the attention of judges in international photography competitions.

Q:

Who are some photographers, artists, or creatives that inspire you?

A:

I'm lucky enough that some of them are already among my friends, we met on the front lines and had some experiences together. For example, the legend of Czech war photography Antonin Kratochvil, Eddy van Wessel or Patrick Chauvel, with whom I sat in the same shelter at the beginning of the war when the Russians shelled Zhytomyr. But I also like the work of Nicole Tung or Lynsey Addario. I immensely admire the work of Ukrainian war journalists - the Libkos couple or the Maloletka-Chernoff couple, who did great work in besieged Mariupol. I don't know if I would have had the courage.

Q:

What photographers, artists, creatives, or otherwise would you love to have a chat with?

A:

I would like to talk to some of the photographers mentioned above again, or to meet those I don't yet know personally - Evgeny Maloletka, for example. I met him once briefly in Prague, but if I could, I would definitely like to have a coffee with him or sit in a trench!

Q:

What are you working on next?

A:

I am currently working on my independent web portal called Reporters. We are four women, we each have our own topics, I of course especially the war ones. And I'm also about to go to Ukraine again. For the last more than two years my life has consisted of travelling to Ukraine and back, spending a lot of time in the country.

Q:

What is your dream subject?

A:

I don't have a specific dream, but I would like to continue my work, do a better job in the war zone than I've done so far. I'd like to get better, to push myself further. And be lucky enough to survive.

ARTIST

Lenka Klicperová

Lenka Klicperová

Location:

Czechia

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